Perks Magazine

Sex can be functional and legitimate or it can be sexy and pleasurable, but never both…

From D-Rex vs Triceracocks to Mr. Bearbottom, Christopher Adam Gray shares his whimsical exploration of sex positive concepts and figurative art with Perks Magazine.

Melbourne-based artist and designer Baby Voodoo shares her love of all things naughty and nice with Perks Magazine.

What monogamy really asks of our long-term partners and ourselves.

Sex ‘addiction’ has become a label we slap on anyone we perceive as having a higher than ‘normal’ sex drive (whatever that is) or whose behaviour sits outside social norms (whatever those are). Is this just another form of slut-shaming?

Rhonda chats to Natalie Swedosh about her Strike Up A Chat social interaction initiative that helps women and men reconnect in person.

A response to Jim Dowd’s ‘The Shootings Are Not Senseless’.

Essena O’Neill may be weeping her carefully crafted ‘this is REAL’ and ‘I’m doing it for my 12-year-old-self’ story all over her website, but she is also asking you and me to send her money now that she has to make a living like the rest of us.

Carl Skase offers you the listicle to end all listicles: 69 ways to balance cats on your breasts. Or, a tribute to what the internet does best!

Through Bunnies Unbound, Kat Johnston hopes to break through some of the preconceptions people have about rope-based bondage, the people who practice it, and kink more broadly.

Rhonda reveals her struggle with jealousy and what it means to hold on by letting go.

In Part Three of this exploration of self-image, projection, and the ego-defences, Rhonda explores how we filter our view of ourselves.

Rhonda Perky examines how everyday paternalism shifts accountability, and asks: ‘What makes us uncomfortable? Whose behaviour is really the problem? Where does the accountability lie?’

Who helps the helpers? Rhonda reflects on what it means to not be okay when you are the one who is supposed to keep it together.

Rhonda reflects on what makes the ‘perfect’ relationship.

Rhonda Perky shares her reflections on ending up in an abusive relationship and how she eventually walked away, and the questions this raises for our society.

Objectifying images may be less comfortable and more confronting to watch, but they can evoke a more direct physical response. But what if there is an emotional cost of continually engaging in this kind of ‘disturbing arousal’?

From the blog: Rhonda Perky learns a tough lesson in feeling the fear and doing it anyway.

Rhonda explores her toxic relationship with body image, attachment to self-criticism, and aversion to self-acceptance.

Rhonda recalls her journey out of the crab basket and beyond the mould in which she was once cast.